Let’s work our way through the panel and understand each module and function and how you can use it creatively. The Moog Matriarch is a unique encapsulation of Moog’s modular history in an instrument. It flips the signal – and whatever controls you have over the signal. Get news and special deals from us in your inbox weekly: You have successfully joined our subscriber list. So – say what now? To gain more daily download tokens, become a contributor! All Rights Reserved. PITCH MOD ASSIGN determines which oscillators the PITCH AMT controls. Moog Matriarch is a patchable 4-note paraphonic analog synthesizer with a built-in Sequencer, Arpeggiator, stereo Ladder Filters, and stereo Analog Delay. - You are Active. These patch points can also be used to Note: the sync buttons will light, but only function with SYNC ENABLE on. PWM IN gives you Pulse Width Modulation – it shifts the width of the rectangle waves (narrow pulse and square on Matriarch). A lot of instruments – especially if you’re in the digital software domain – just sound like utter crap once you distort them. Mark from Moog already pointed us to the hidden Paraphonic Unison mode. Emphasis mine – yeah, you can load custom MIDI tunings onto this thing. Moog Matriarch is a patchable 4-note paraphonic analog synthesizer with a built-in Sequencer,Arpeggiator, stereo Ladder Filters, and stereo Analog Delay. Moog Matriarch is a patchable 4-note paraphonic analog synthesizer with a built-in Sequencer, Arpeggiator, stereo Ladder Filters, and stereo Analog Delay. There’s a bunch of additional power hidden inside the Matriarch in Global Settings – accessible via MIDI, or by using the MIDI keyboard (see the manual). Want more? You can also achieve exponential frequency modulation by patching a signal into PITCH IN for some wilder sounds. We show that in a separate video. ... so it's not so straightforward to incorporate it into a Matriarch-centered patch. I noticed an issue with mult trigger where if I play a lot of notes – the filter envelope seems to get stuck at max sustain … VCF 2 always uses wherever the cutoff knob is set. Your tokens are automatically replenished every 24 hours. Remember your output is in two places – normalled to 1-4 on the Mixer, and also available at WAVE OUT for each oscillator. Inverting signals can be useful for stereo effects, for example, using the two VCAs and VCFs. Thanks for the support! Env end out is the other key addition – use it as a trigger for anything you like, including looping the envelope by patching back into TRIGGER IN. The Default is OFF. This is also a good place to patch in modulation. Share some patches with the Community! I hear it’s paraphony as an interesting limitation. Get more daily download tokens by becoming a contributor! The MOD wheel is routed even without patching these locations on the modulation section: Let’s look at that on the modulation section: The bottom of the Modulation section indicates all you can do with the mod wheel. You can also get stereo amplitude modulation, since in SPLIT mode left and right can each have their own modulation. Use the lowest two white keys to select OFF (C0), or ON (D0). CUTOFF AMT does the usual trick of letting you control cutoff of the filter, but with the added bonus of the Matriarch having multiple filter modes. In the HP/LP series and parallel, you get the basis of bandpass and notch filters, respectively, among other possibilities. But you can also “play” this switch by toggling it as sequences and arps play back – use the HOLD button to free up hands if you need to. It’s off by default, but if you switch it on, you get tape-like smooth bending between delay times even with the delay synced. function ml_webform_success_1444250() { If you do want long delays, it goes up to 780 ms – meaning you can also get looped effects with it (with or without sync.). They are automatically replenished each day. With the switch set to VOICE MODE 4, adding a third note assigns a new pitch to Oscillator 3, and adding a fourth note assigns a new pitch to Oscillator 4. In DRONE, it’s the default voltage (so it, you know, drones) unless you patch into one or both patch points. Or go the other way round — route several outputs into the MULT jacks, and they’re passively mixed as an output. It’s also worth thinking of the mod wheel as an additional control source in the modular sense, not just as you know them from other keyboards. From the documentation: When Paraphonic Unison is set to On, all four Matriarch oscillators will always sound, even when the PARAPHONY switch is set to VOICE MODE 2 or VOICE MODE 4, regardless of how many notes are held. In the next installment, we’ll see how you can use that to develop your own original ideas – and take advantage of where modulation can lead. Unlike vintage keyboards, the Matriarch is a modern 49-key manual with both velocity and channel aftertouch. Mark ran through a lot of stuff quite quickly, too, which means you might not have gotten his meaning; I’ll try to make some of those tips clearer. Preset Patch is a FREE patch exchange, however, to promote a healthy community of sharing, you are given a set number of download tokens per 24-hour period. Moog Matriarch is a patchable 4-note paraphonic analog synthesizer with a built ... and an endless supply of happy accidents through Matriarch’s 90 modular patch points. PATCH & TWEAK with Moog brings readers inside the creative minds of composers, producers, and performing artists like Suzanne Ciani, Trent Reznor, Lisa Bella Donna, Paris Strother, Hannes Bieger, Stranger Things composers Michael Stein and Kyle Dixon, and Moog synthesizer co-inventor Herb Deutsch in detailed interviews featuring patching tips and tricks for musicians of all skill levels. Moog Matriarch, 4-Note Paraphonic Semi-Modular Synthesiser with Patch Option, Analogue sound generation, 256 Step-sequencer, Arpeggiator, Stereo ladder filter … Try adding a slower LFO, and you’ll get tremolo effects; increase the speed (or even try an audio signal) and you’ll get metallic amplitude modulation effects. Don’t forget the line level input on the rear panel for external gear. Put something into any jack, and it’s routed to the other three as outputs. Good Resources For Moog Matriarch Patch Ideas? Preset Patch is a FREE patch exchange! We had Lars keep it simple, to really focus particular ideas. I’ve watched a lot of demos and I think it’s pretty unique. It does nothing in the other modes, so check your Waveform. There’s a lot you can do with just sync and the frequency knobs. In addition, you add more modern features in the form of the arpeggiator and sequencer, which can be thought of even like a full-sized sequencer on a 900 modular. Even before you plug in a single patch cord, you have the equivalent of a pretty rich patch on the historical 900 series of Moog modules. See full list of patch ideas in the description. LIN FM IN gives you linear frequency modulation – that’s going to give you easy-to-modulate, bell/metal-like sounds. There are four paraphony modes on the Matriarch – monophonic (one key = all four oscillators), 2-note (1+2 / 3+4), and 4-note (one key = one oscillator). This can impact stereo positioning (in LP/LP stereo mode), or allows you to fine-tune the bandpass/notch filter in the other two modes.